four oldskool elctro tracks nice voices great sounds fat scratches just enjoy

entity drop their latest on sub frequency funk in the shape of heart attack this will not give you a heart attack thankfully ultra smooth grooves and some nice little scratch edits roll over some deep bassline action flip this beast for screwfaces remix which is a heavy dancefloor mover

limited edition with fantastic electro classix, huge demand !!

nice price deal !!! the origin of dance music? arguably. the origin of breakbeat and scratch culture? definitely. this breakdance classic by ex-sex pistols manager malcolm mclaren, burst onto the scene 1983 and has influenced the direction of dance music ever since. one sided buffalo girls booty!!

2 ortofon cocorde system in one nice box ... every professional ought to try the elektro, a techno cartridge made by a team of highly qualifi ed technicians and experienced and capable djs. unaffected by extreme sound pressure and repeated vibrations, it has a high output. the musical performance is always fi rst-rate and the tracking ability of the spherical diamond stylus is quite good. the elektro is a must-have for all scratch and back-cueing djs!

underground darling mathew jonson with another extra-large three track stunner: right from the start swirling synth over a pinching beat suck you into a vortex before a rubbery bassline takes the lead and an electrical storm of dark, haunting sounds wrap you in. well, words dont do this truly symphonic oeuvre no justice - this has to be experienced in the dark and in earsplitting volume. on the flip mj gives free reign to his unlimited creativity with an impressive soundtrack-style tableau of electronic jazz, sounding like late bass-revolutionary jaco pastorius descending form the outerworld to interveave some of his crazy warbled, bend notes into a messianic david axelrod arrangement, mixed at lee scratch perrys echo chamber. miles above your typical pain-by-numbers club fare - simply huge!

the ultimate scratch weapon for your turntable, the om q.bert dj system

the ep contains 'bumpin bass' broken beats and instrumental hiphop / electronica.. feat dj dunic and dj eniless

klingt als wäre das erste album von depth charge in die neuzeit katapultiert worden. freak-beats hurra

limited 10inch with seriously attractive remixes. flip sideis mad professor and lee scratch perry remix which is a dubbed out reggae classic. on the a side (a2)is by soma s alex smoke - more pulsing tech house, played by steve bug!!

yes.. probably the best egyptian empire! slamming spooky old skool electro from the past!

typical phantastic funky minimal cut up tracks !!

ultraphat raw harder chicago acid techno...already played by dj rush & marco remus

ersatznadel für ortofon electro systeme .. every professional ought to try the elektro, a techno cartridge made by a team of highly qualifi ed technicians and experienced and capable djs. unaffected by extreme sound pressure and repeated vibrations, it has a high output. the musical performance is always fi rst-rate and the tracking ability of the spherical diamond stylus is quite good. the elektro is a must-have for all scratch and back-cueing djs!

excellent selected acapellas , cool tools for djs & producer

die trenton, festplatten & dumb unit aktivisten reynold & phil stumpf zelebrieren funkigsten minimal.

neues concorde system von ortofon, speziel für elektroische musik konzipiert, extrem laut ... every professional ought to try the elektro, a techno cartridge made by a team of highly qualifi ed technicians and experienced and capable djs. unaffected by extreme sound pressure and repeated vibrations, it has a high output. the musical performance is always fi rst-rate and the tracking ability of the spherical diamond stylus is quite good. the elektro is a must-have for all scratch and back-cueing djs!

west coast style dub disco on the original version - a mixture of funk, reggae and great psychedelic keyboards and dub vocal drops. chicken lips remix is a deep deep bass heavy dancefloor stomper, with everything turned up a notch yet more of an open feel in the groove.

c64 spielesounds im remixwolf !!! mixes by gebrüder teichmann (festplatten),

4 panel digipak

top selection, cd mit 19 tracks im umweltfreundlichen ecopack, sleevenotes mit ausführlichen trackinfos.

global underground 7 incl all the stars like andre lodemann, rodriguez jr., stepahn bodzin and more

tricky presents an intriguing and inventive collaborative project.

supported by laurent garnier, severino panzetta (horse meat disco), chris fortier, andrew weatherall, sŽbastien chenut (scratch massive), marvin & guy, juan soto, justin robertson, yan wagner, peo watson, tici taci, guido le saint (2cv), neil scott (el diablo s social club), pin up club, jorkes (freeride millenium), mufti, sean johnston, andrew claristidge, pulp disco and the outcasts, flemming dalum, billy scurry

written and produced by maurice fulton. an original dr. scratch mix published by buttrubb music. players. karo brandi, leader of all of what you see, plus all of the artwork. hanna sarkari, all guitars. mim suleiman all drums and percussion. maurice fulton. all keyboards bass and drum programming. recorded and mixed at bubbletease communications sheffield uk

like all dj koze records, knock knock exists outside of trend and influence. in fact, it s a step further beyond: absolutely every single thing here, from grooves to voices to handclaps, is otherworldly and unique. which is not to say it is utterly alien abstraction, mind. there is still disco, there is still soul, there is still techno, there is still hip hop, there is still psychedelia Ð there are even wafts of easy listening, lost crackly thriftstore record memories and... sort of... indie rock Ð but though it may sound familiar, it never does what your brain thinks it s going to do.

for the past two years, nils frahm has been building a brand new studio in berlin to make his 7th studio album titled all melody, which will be released on january 26th, 2018 via erased tapes, before nils embarks on his first world tour since 2015.
since the day nils first encountered the impressive studio of a family friend, he had envisioned to create one of his own at such a large scale. fast forward to the present day and nils is now the proud host of saal 3, part of the historical 1950s east german funkhaus building beside the river spree. it is here where he has spent most of his time deconstructing and reconstructing the entire space from the cabling and electricity to the woodwork, before moving on to the finer elements, building a pipe organ and creating a mixing desk all from scratch with the help of his friends. this is somewhere music can be nurtured and not neglected, and where he can somewhat fulfil his pursuit of presenting music to the world as close to his imagination as possible.

2x12 inch lp gatefold with liner notes, 180gr vinyl. funky chimes is a two-hour collection of excellent and unique grooves. it contains 27 of the most interesting yet long forgotten belgian dance tracks from the seventies.

the friendly, handmade quasi dub is at the same time experimental and accessible.

jack beats sind die mehrfach ausgezeichneten dj-champions plus one (scratch perverts) und beni g (the mixologists). ihr furioser electro/bass-style aus wobbligen basslines, grandios inszenierten breakdowns und schraegen acapellas ist ein klasse fuer sich. als kuenstler auf skrillex owsla-label gesignt, liefern sie auf fabric live 74 eine hochenergetische mixtur aus bouncendem house, knackigen baessen und eskalierender mainstage-mania.

perfekt getimed, kehrt omar nun mit einem brandneuen album zurueck, von dem nicht wenige sagen, es sei ohne zweifel das stŠrkste seiner gesamten karriere. der wirbel, den bereits die veroeffentlichung des titeltracks the man als erste single ausloeste, bestaetigt, dass omar sich unbestreitbar auf der hoehe seine kunst befindet szene-groe§en wie gilles peterson (bbc 6), trevor nelson (radio 2) und jamie cullum haben sich zu recht fuer die nummer begeistert und sie als neuerlichen beweis seiner legendaeren faehigkeit gefeiert, umwerfend eingaengige melodien zu schreiben, der er auf diesem brandneuen, jetzt schon als klassiker zu bezeichnenden song, auch noch eine produktion verpasste, die funkier ist, als alles was man bisher von ihm kannte

>are you ready for a journey into the mind of a girl whos dedicated her heart to music?<, fran asks daringly on >may i introduce myself<, the first song of her anticipated first solo lp, frantastic.

3 cd chilloutcompilation !!

the spatial disco series continues with the best from the legendary tele music label. after the hype about the cult disco album sauveur mallia needs no introduction. volume 2 focuses on electronic productions from 1981 to 1984.

feat. mobb deep, beatnuts, guilty simpson, evidence (dilated peoples), little brother, phil da agony, joell ortiz, tragedy khadafi, craig, glasses malone and many more. incl. mp3 bonus tracks

exile began his musical career in 2000, releasing drum & bass on labels such as beta and moving shadow, but as the years progressed, his sound started to become more complicated and abstract. this was mostly due to his obsession with the reaktor software, which enabled him to spend much of his time creating new and interesting sounds from scratch. his debut full-length, 2006s pro agonist, saw him add elements of breakcore to his constantly mutating yper-breakbeats, but that gradual change in style is nothing compared to the total departure that hes taken on listening tree. long-term fans may be shocked to know that listening tree is peppered with exiles own vocal tracks, as he tackles issues such as britains buy-now-pay-later culture, and even the dynamic nature of the universe on family galaxy, the first single. >family galaxy< is about the constant process of change that underpins everything, explains exile. its a tale from a thingless world where nothing stays the same. as now shines its shifting shades on then, so our ideas of what we have done and will do continually morph.the result is an eccentric electro-pop album that is just as likely to appeal to fans of hot chip as it is otto von schirach